Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | Medici portrait of the man card | Venus with the goddess to the girl gifts | Novella di Nastagio degli Onesti | Christ in the Mount of Olives | Madonna and Child with an Angel |
Related Artists:
Georges Jansoone
George Jamesone (or Jameson) (c. 1587-1644) was Scotland's first eminent portrait-painter. He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College. Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck. However, this is yet to be proven as his name does not appear to be noted in the Guild registers of the town. However, considering that Rubens was exempt from registering pupils; this does not mean that the painter definitely did not study there. Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century. Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620.
Samuel Howitt
English, 1756-1822,was an artist from England. Samuel Howitt was born into a wealthy Quaker family in Nottinghamshire, England. He began painting as a hobby and to amuse his friends. Hunting and racing were his hobbies and he mimicked this interest in his work. Howitt's family experienced financial difficulties, so Howitt decided to move to London. In London, Howitt made a career out of his talent, flourishing as a professional artist. He was published often in The Sporting Magazine and went on to illustrate various books. Howitt is best known for his lively and exotic sporting scenes. His superior watercolors and aquatints depict dramatic racing and hunting scenes as well as an array of conventional and exotic animals. Howitt's work is included in the Mellon Collection, which possesses no fewer than 160 of his watercolors, and many of his aquatints. Howitt exhibited at the Royal Academy and illustrated several books, including his own entitled The British Sportsman c.1812 and British Preserve c.1824. Samuel Howitt, "genius, artist, sportsman", concentrated his considerable artistic talents on picturing scenes of horse-racing and hunting in all its aspects. Born in Nottinghamshire, England, Howitt was largely self-taught ,"although he must have been helped by his companions George Morland, Rowlandson and John Raphael Smith. Howitt's watercolours of hunting, shooting and racing have delightful spontaneity.
Theodore Frere
French Painter, 1814-1888